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Get Free Ebook Night of the Veggie MonsterBy George McClements

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Night of the Veggie MonsterBy George McClements

Get Free Ebook Night of the Veggie MonsterBy George McClements

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When a single pea touches the lips of this determined vegetable hater, our hero doesn't cry, whine, or refuse to swallow. He turns into a VEGGIE MONSTER!
Ready to smash the chairs! Ready to tip the table! Ready to . . . GULP . . . down his peas? With inventive mixed-media illustrations and a short, snappy text that combines a child's dinnertime drama with a hilarious parents'-eye-view, George McClements has created a wry and funny story that just might inspire a few veggie monsters out there to give peas a chance.

• Sales Rank: #429163 in Books
• Brand: McClements, George
• Published on: 2008-04-01
• Released on: 2008-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.29" h x .34" w x 8.16" l, .63 pounds
• Binding: Hardcover
• 32 pages

About the Author

GEORGE McCLEMENTS is a director for character art for Walt Disney Consumer Products. He has worked on developing products for such films as Dinosaur, Flubber, and Inspector Gadget. He is also the author and illustrator of The Last Badge and Jake Gander: Storyville Detective. He lives in Glendale, California with his wife and two sons.

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Night of the Veggie MonsterBy George McClements PDF

Night of the Veggie MonsterBy George McClements PDF

Night of the Veggie MonsterBy George McClements PDF

Night of the Veggie MonsterBy George McClements PDF

PDF Ebook Surfaces and Essences: Analogy as the Fuel and Fire of Thinking

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Surfaces and Essences: Analogy as the Fuel and Fire of Thinking

PDF Ebook Surfaces and Essences: Analogy as the Fuel and Fire of Thinking

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Audible Audiobook

Listening Length: 33 hours and 52 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Gildan Media, LLC

Audible.com Release Date: April 25, 2013

Whispersync for Voice: Ready

Language: English

ASIN: B00CJ01LHA

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Yes, it's long. If one wants to argue that "some X are Y," the argument is easily made in a short book. If, on the other hand, one wants to argue that "ALL X are Y," it takes a few more pages. Hofstadter and Sandler not only need lots of examples to make their point, they also need to think of reasonable counterarguments to their thesis and address those. The book is not only fascinating, it's of real practical use. Much of my job requires explaining things to people, and I've found that each time I read it I become better at making analogies and finding the appropriate level of abstraction for an effective explanation. I'm about to read it a third time.

This book is fairly thick, but more than that, it's 530 pages are *dense*.Douglas Hofstadter, of course, is the author of GODEL ESCHER BACH and other fine meditations on the nature of mind and thought. In this collaboration with French cognitive scientist Emmanuel Sander, they propose, quite seriously and with a great deal of supporting evidence, examples, and argumentation, that the basic nature of thought - its "fuel and fire," as the subtitle would have it - is _analogy_.Summarized in my own words, the conception might go something like this:As babies, we have no knowledge about the world, but we have a powerful instinct to try and "make sense of" our experiences. We notice certain _patterns_ -- this experience _is like_ that experience -- and begin to build a sort of vocabulary of phenomena in our brainminds. Things that _are like_ each other become _categories_ (that's right, categories are the children of analogies), and, as we have more categories and fit more things into them, our experiences seem to make more "sense."We build a category of causes and effects - babies discover gravity by dropping things - and one of the effects we find is response to our vocalizations. Speech begins with words like "ma ma." We make this sound and our mother responds, usually in a way we find pleasurable. We make it more often, and associate it with that person. Eventually it becomes, for us, a name for that person. Later we discover that other children have mommies too, and the concept of "mama" expands to a category with multiple examples, but one unique example which is *our* mommy.To think about a thing is to consider it like other things. If we look at an object and call it a "table," we are saying it is _like_, in some fundamental and useful way, other things that have been called tables in our past experience.Hofstadter and Sander say all this better, at greater length, and with much more elaboration - plus, they say a great deal more - than this brief review can do. But that's the gist of it: analogies create categories, and analogies/categories are how we perceive the world.One important thing to understand is that "category," for the authors, is much more than "groups of concrete objects." There are abstract categories - for example, situations for which the phrase "buying a pig in a poke" is applicable. The pig is analogical, obviously; less obviously, it names a category of situations that might otherwise seem very unlike each other. "Buying a pig in a poke" might serve as a name for the category of "situations in which one makes a commitment without knowing whether what we will get in return is really worth it."The book ends with a sort of Platonic dialogue on the analogy nature of categories -- which itself ends in a slightly surreal twist.I can recommend this to anyone who thinks they can handle it. I'm not sure I could, but I did anyway.

I have read GEB at least 4 times, and have read all DH's other books (Le Ton Beau twice). Always a stretchfor the mind, this one was quite a slog to get through. It is built on what seems to me a simple and obvious premise - that consciousness and creativity are built from analogy. But the superstructure built onto this means that the same points seem to be being made over and over with an inordinate number of examples, instances etc. I think it could be slimmed down to a volume half the size, made the argument more strongly and be a better book.Definitely don't start here

This book might get 5 stars if it were one third the length. It needed an editor.Hofstadter says that since the book was written simultaneously in French and English it should be read simultaneously in French and English, if possible. However, amazon.com does not offer L'analogie : Coeur de la pensée, and neither amazon.ca nor amazon.fr offers it for kindle.Hofstadter makes a strong case that analogy is the heart of thought. He does a great job of pointing out that any category can be extended by analogy. In the process he extends the categories “category” and “analogy” by analogy. He represents the AI school based on analogy, as opposed to the categories of the “Ontology” AI school or the categories of mathematical category theory.Nihilists and deconstructionists have shown that any category con be extended by analogy to the point of meaninglessness. Hofstadter does not do this, but he does try to eliminate category as a category separate from analogy.Shared language relies on shared categories. It would be a shame to lose the category category in shared language.

Having loved other books of Hofstadter, I was quite disappointed with this one. While it does contain some fresh insights, the usual Hofstadter sparkle seems to be missing. The basic idea of the book is an important one, but I feel that this could have been done better as a long essay than as a full-length book.

Well-written with many, many examples. In fact, the sheer number of examples per concept was enough to deduct a star from the review. The ideas presented are well-explained and intriguing but the enumeration of examples detracts from the flow and consequently the reader's full understanding of the concept being argued/presented. I got lost remembering what the examples were exemplifying the first time I ran into such a list and have since only read a the first two examples per concept, rather than the fully enumerated list.Aside from that, I found the exploration of analogy fun and entertaining.

Firstly, you don't need nearly 600 pages to make the point. Secondly, more important than analogies is what makes an analogy right or wrong or what makes one work and what doesn't. To say all thinking analogical doesn't really help, does it?

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Surfaces and Essences: Analogy as the Fuel and Fire of Thinking PDF

Surfaces and Essences: Analogy as the Fuel and Fire of Thinking PDF

Surfaces and Essences: Analogy as the Fuel and Fire of Thinking PDF

Surfaces and Essences: Analogy as the Fuel and Fire of Thinking PDF